
In June 2024, sixty-six-year-old Sammy Kershaw released a single called Eemeecoochee featuring his eighty-eight-year-old third cousin Doug Kershaw and Cajun accordion player Jo-El Sonnier, bringing two generations of a southern Louisiana musical family onto the same recording.
That collaboration traced back to the flat prairie and marsh country of Vermilion Parish, where Sammy was born on February 24, 1958, to construction carpenter Minos Kershaw and his wife, Emily. Raised in the small rice-farming town of Kaplan, the oldest of four children heard music first inside his own home, where his mother sang Hank Williams songs as lullabies to her kids at night.
Across the parish line in nearby Cameron Parish, the Kershaw name had already traveled far beyond the bayous. Sammy’s third cousins, Doug and Rusty Kershaw, had grown up on a houseboat in Tiel Ridge speaking Louisiana French before learning English. By 1955, the brothers were singing on the Louisiana Hayride in Shreveport and joining the cast of the Grand Ole Opry in Nashville, and in 1961 Doug wrote and recorded Louisiana Man, a song about fur trapping and pirogues that became an anthem for the region.
For a boy growing up in Kaplan, knowing that a cousin from the same coastal marshes had played his fiddle on national television made a life in music look possible. In 1969, when Sammy was eleven, his grandfather gave him his first guitar. That same year, his father died of lung cancer, and the instrument quickly turned from a boyhood gift into a way to help his mother keep the household running.
By age twelve, Sammy was working southern Louisiana dance halls with steel guitarist J.B. Pere while taking daytime jobs sweeping floors, mowing lawns, and later laboring in a local rice mill and working as a carpenter like his father. Every weekend in Vermilion and Acadia parishes exposed him to the distinct mix of music that defined the Gulf Coast, where traditional George Jones honky-tonk shared jukeboxes with French Cajun two-steps and horn-driven swamp pop.
After nearly twenty years on that regional club circuit and a brief step away from music to remodel Walmart stores, Kershaw signed with Mercury Records in Nashville and released his debut album, Don’t Go Near the Water, in 1991. Even as Cadillac Style and She Don’t Know She’s Beautiful turned him into a platinum country star, his thick Vermilion Parish phrasing stayed intact.
Throughout his 1990s run on national radio, Kershaw wove the sounds of his home state directly into his studio albums. He cut Bayou Boys for his 1994 gold album Feelin’ Good Train, recorded Louisiana Hot Sauce for his 1999 project Maybe Not Tonight, and later added a Cajun version of ‘Twas the Night Before Christmas to his 2012 holiday record.
Kershaw also stayed tied to the people of his home state outside the recording studio. He settled in nearby Lafayette, ran the Sammy Kershaw Foundation to support children and families in need, and was inducted into the Louisiana Music Hall of Fame in 2010, just one year after his cousin Doug received the same state honor.
In 2017, Kershaw dedicated an entire album, Swamp Poppin’, to the south Louisiana rhythm-and-blues and country blend he heard in his youth, welcoming regional veterans Eddy Raven, Tommy McLain, and Warren Storm into the sessions. Seven years later, bringing Doug Kershaw into the studio for Eemeecoochee linked the eighty-eight-year-old fiddler from Cameron Parish directly with the singer from Kaplan.
More than five decades after his mother sang Hank Williams lullabies under a tin roof in Vermilion Parish, the voice Sammy Kershaw carried to platinum records and back home to Louisiana still held the unmistakable cadence of the house and the parish that raised him.