
In the spring of 2016, Reba McEntire walked into a Nashville recording studio with her mother, her sisters, and the women who had refused to let her grieve alone.
Months earlier, on December 17, 2015, the sixty-year-old singer had quietly confirmed on Facebook that her twenty-six-year marriage to manager Narvel Blackstock was officially over. She shared the news that their divorce had been finalized on October 28 beneath a smiling photo from an autumn trip to Rome.
Their August separation had ended both a marriage that began in 1989 and a thirty-five-year working partnership dating back to 1980, when Narvel joined her road band on steel guitar. The split was never Reba’s choice, and the sting deepened when Narvel soon began dating Nashville realtor Laura Stroud, an acquaintance from Reba’s own circle.
Left in her Cherokee Dock estate on Tennessee’s Old Hickory Lake before the property was sold in 2016, Reba faced a quiet house and an uncertain career. Rather than leave her in isolation, longtime sitcom co-star Melissa Peterman and Janine Dunn, wife of touring partner Ronnie Dunn, stepped in with home-cooked meals and travel plans.
During their October getaway to Italy, that group kept her spirits high enough that Reba stood up at a Rome dinner table and sang an impromptu rendition of an Elvis Presley classic to a cheering restaurant. Back in Tennessee, those same friends balanced warmth with plainspoken toughness whenever the grief returned.
Reba later called them earthly angels who dried her tears before telling her plainly that she was strong, she could get through the heartbreak, and they had taught her better than to give up on herself.
That encouragement carried into her business life in early 2016 when she left Starstruck Entertainment to launch Reba’s Business Inc. as her own manager. Alongside creative director Justin McIntosh, she anchored the new Nashville office with trusted women from her team, naming nine-year veteran Carolyn Snell as associate and tour manager, Leslie Matthews as brand manager, and Theresa Connelly as controller.
Her family closed ranks at the same time while still mourning the October 2014 passing of her father, Clark McEntire. Each morning, Reba opened her daily devotional books and called her older sister, retired Oklahoma social worker Alice Foran, to read the passages aloud, while her younger sister, gospel singer Susie McEntire-Eaton, joined them in prayer.
With her own management company in place, Reba finally pursued a project she had wanted to record for four decades. Co-producing alongside Doug Sisemore and Jay DeMarcus, she began tracking Sing It Now: Songs of Faith & Hope, a twenty-song double album pairing ten traditional childhood hymns with ten contemporary songs of healing.
To honor the friends who had carried her through the winter, she recorded a second-disc track titled “God and My Girlfriends,” written by female songwriters Patricia Conroy, Lisa Hentrich, and Marcia Ramirez. The upbeat song celebrated the steady support that Peterman, Dunn, and her staff brought to her kitchen table.
Inside the studio, the sessions became a family gathering. Reba’s eighty-nine-year-old mother, Jacqueline, joined Alice and Susie around the microphones to sing four-part harmony on the Albert E. Brumley hymn “I’ll Fly Away”. Sitting in the control room during another session, Jacqueline suggested shifting a song’s opening perspective to include the listener, earning a co-writing credit on “I Got the Lord on My Side”.
Meanwhile, Kelly Clarkson, who remained fiercely loyal to Reba at home and on stage throughout the family split, stepped into the studio alongside Trisha Yearwood. Together, the three women closed the album’s first disc by blending their voices in three-part harmony on the nineteenth-century hymn “Softly and Tenderly”.
Released on February 3, 2017, through Nash Icon and Rockin’ R Records, Sing It Now: Songs of Faith & Hope topped both the Billboard country and Christian album charts. In early 2018, the collection won the Grammy Award for Best Roots Gospel Album, validating the first project she oversaw under her own management banner.
What began in late 2015 as an unwanted ending in a quiet lake house became a new decade built beside the sisters, friends, and singers who refused to let her stand alone.