OldiesSong

Greatest Hits Oldies But Goodies Ever

In 1984, just two years after Conway Twitty opened his multi-million-dollar Twitty City estate in Hendersonville, Tennessee, to bring his entire family together, his wife Temple “Mickey” Medley filed for divorce for the second and final time. Their marriage had lasted nearly three decades, stretching back to 1956 when he was still an unknown young singer named Harold Jenkins and moving through dozens of number-one country hits. Even after their quiet 1970 divorce and secret remarriage later that same year, the pace of his career never slowed. For roughly thirty years, Conway lived on a tour bus with the Twitty Birds for 200 to nearly 300 days a year, turning ordinary family dinners and anniversaries at home into rare occasions. When he opened Twitty City in 1982, the complex was meant to be a permanent home where his wife and children could live side by side. Instead, the property also operated as a public tourist attraction that drew hundreds of thousands of visitors each year. While Conway remained out on the highway performing for millions of fans, Mickey found herself living inside a crowded public showcase, stripped of basic privacy and still waiting for a husband who belonged primarily to the stage. By 1984, after fourteen years of trying to hold their second marriage together, their three children, Joni, Kathy, and Jimmy, were fully grown. With her duties as a mother complete, Mickey chose to step away from a lifetime of waiting for a tour bus to pull into the driveway. She never spoke against him in the press, and Conway made sure she was generously provided for before his later marriage to Dee Henry in 1987. Even after Conway passed away in 1993, his children and longtime insiders remembered Mickey as the woman who gave up three decades of quiet home life so the world could have Conway Twitty.

Please scroll down for the video. It is at the end of the article!

When Conway Twitty opened his $3.5 million Twitty City complex on nine acres in Hendersonville, Tennessee, in June 1982, the white-columned Colonial estate was designed to bring his family onto one shared piece of ground after decades of highway separation.

Along the winding brick paths of the property stood the main family mansion alongside custom-built houses for his mother, Velma, and his three children with his wife Temple “Mickey” Medley: Kathy, Joni Lee, and Jimmy. Mickey, who had a lifelong passion for architecture and interior design, had helped plan the Colonial residence herself, down to the sunken living room, two-story library, and spacious dining areas built for family gatherings.

Yet from the day the gates opened on Music Village Boulevard, the family compound also operated as a commercial tourist park. Within its first year alone, roughly 300,000 ticketed visitors walked the grounds to visit the 21,000-square-foot show pavilion, browse the gift shop, view the singer’s stage wardrobes and gold records, and greet the oversized fiberglass Twitty Bird mascot at the entrance.

For Mickey, the crowds outside her windows were the latest test in a marriage that had started twenty-six years earlier in Hernando, Mississippi. In 1956, she was seventeen years old when she married a young singer who still went by his birth name, Harold Jenkins.

Before he scored his first pop hits or made his 1965 transition to country music, Mickey had packed up and moved their young family to Oklahoma City and nearby Norman. While Conway rebuilt his career at the Diamond Ballroom and took his band, the Twitty Birds, onto the road for 200 to nearly 300 days a year, Mickey raised Kathy, Joni Lee, and Jimmy largely on her own.

That relentless touring schedule had already pushed the couple to a quiet divorce in early 1970, right as “Hello Darlin'” became Conway’s signature multi-week number-one country smash. Neither of them stayed away for long, and in November 1970 they remarried so privately that most fans and music-row peers never knew the split had occurred.

Two years after their second wedding, Conway moved the family from Oklahoma to Hendersonville to cut down the travel distance between his Nashville recording sessions and his front door. A decade later, Twitty City was meant to be the permanent culmination of that promise, placing his business office just a hundred yards from his kitchen so his children and grandchildren would always be steps away.

In daily practice, the layout left the family living inside an active fishbowl. Tour buses idled along the drive from morning until dusk, and guided walking tours brought hundreds of fans past the landscaped lawns and private residences to peer at the windows of the main house.

During the winter holidays, the traffic grew even heavier when the estate hosted its annual Christmas at Twitty City celebration, drawing tens of thousands of cars to view more than 200,000 lights strung across the trees and buildings. Even when Conway returned from a tour run, he frequently put on shorts and sneakers to walk out onto the grounds, sign autographs, and pose for snapshots with visitors waiting by the fences.

When his bus pulled back onto the highway for the next stretch of concert dates, Mickey was left behind inside the gated showcase, surrounded by strangers while still waiting on an absent husband. Having spent nearly thirty years keeping a private home for her family, she found that even simple routines like walking into her yard meant stepping into view of paying tourists.

By 1984, Kathy, Joni Lee, and Jimmy were adults with lives of their own. After fourteen years in their second marriage and nearly three decades together in total, Mickey filed for divorce for the second and final time.

She stepped away from the tourist complex without giving a single critical interview to the press, and Conway ensured she was financially secure in their settlement before his 1987 marriage to his office secretary, Delores “Dee” Henry. When Conway died suddenly of an abdominal aortic aneurysm in June 1993 at age fifty-nine, the nine-acre Hendersonville complex was eventually sold and converted into a Christian television center.

Mickey remained in Hendersonville near her children, grandchildren, and great-grandchildren until her death on October 6, 2021, at age eighty-two, remembered in her family’s obituary as the wife of thirty years to Harold Jenkins.

https://www.youtube.com/watch?v=V6Tb9SM487g

Related Post

In late 1986, three years after delivering the best-selling single in Warner Bros. Records history and marrying Jamie Atkinson, thirty-two-year-old John Anderson lost his recording contract. When Jamie married him in October 1983, Anderson stood at the top of Nashville on the strength of “Swingin’.” Within months, country radio shifted toward a younger wave of New Traditionalist singers. Between 1984 and 1986, his singles slid down the Billboard charts, sales dropped, and Warner Bros. declined to renew his deal after the album Countrified. The next four years tested both his career and his young marriage. Moving through MCA and Capitol/Universal, Anderson released Blue Skies Again in 1987, 10 in 1988, and Too Tough to Tame in 1990. Many singles missed the Top 40 entirely, radio programmers set his new records aside, and industry calls grew scarce. Sixty miles outside Nashville, the farm he and Jamie had bought in Smithville in 1983 became his refuge from the music business. Coming home from smaller venues to Jamie and their young daughters, Brionna-Cheri and Alexa Kate, Anderson stepped onto land where chart positions did not matter. Because Jamie kept their country life steady without complaint, he refused industry pressure to smooth out his rough vocal style and quietly wrote “Seminole Wind” during the lean years. In 1991, Anderson teamed up with producer James Stroud at BNA Records. The resulting 1992 album, Seminole Wind, sold more than two million copies and sent “Straight Tequila Night” and “Money in the Bank” to number one, ending a nine-year gap between chart-toppers. Nashville called it one of the greatest comebacks of the 1990s, built during seven quiet years with the wife who stayed when the hits stopped.

When the phone rang in March 2024 with news of his Country Music Hall of Fame selection, 69-year-old John Anderson went quiet because he had long stopped expecting Nashville to remember him. Decades earlier, when he first arrived in town in the early 1970s, Anderson paid his bills as a roofer, sweating through repairs on the historic Ryman Auditorium and the new Grand Ole Opry House before he ever had a hit record. Even after placing more than forty singles on the Billboard country charts and earning five number ones, including his record-breaking 1983 CMA Single of the Year “Swingin'”, he never played the Music Row networking game. Instead, he lived an hour away on a farm in Smithville, Tennessee, preferring his garden and fishing poles to industry parties. That distance grew even wider around 2017 and 2018, when a severe illness attacked his inner ear and nearly took away his hearing and his ability to sing. Working alongside Dan Auerbach of The Black Keys on the 2020 album Years slowly helped him find his voice again and brought him back to the stage. On October 20, 2024, that long road led to the CMA Theater in Nashville for the official Medallion Ceremony, where Anderson was inducted in the Veterans Era Artist category alongside James Burton and the late Toby Keith. Sitting in the front row with tears in his eyes, the white-haired singer watched Brothers Osborne and the duo Gillian Welch and David Rawlings perform the songs that defined his youth. Then his longtime mentor and friend Bobby Braddock, the songwriter who had championed him back when nobody knew his name, stepped forward to place the Hall of Fame medallion around his neck. Standing before a crowd on its feet, the former roofer bowed his head and thanked God for sparing his life long enough to hear that applause.

Two weeks before his October 2024 induction into the Country Music Hall of Fame in Nashville, John Anderson went home to sing for the people of Apopka, Florida. On October 5, 2024, he stepped onto the stage of the Apopka Amphitheater inside the Northwest Recreation Complex for the Apopka Proud Concert. Born in that central Florida town on December 13, 1954, he had left Apopka Memorial High School in the early 1970s and driven north with an acoustic guitar and almost no money. In Nashville, he worked on the roof of the new Grand Ole Opry house by day and played small bars at night. More than fifty years later, he returned to Florida with white hair and Country Music’s highest honor waiting for him at the Medallion Ceremony on October 20. Out in the amphitheater crowd sat former high school classmates, longtime local families, and neighbors who remembered him practicing music in a garage as a teenager. Getting back on that stage took real physical effort after the severe hearing loss and health struggles that had nearly ended his career a few years earlier. Still, Anderson stood under the Florida night sky holding his guitar and singing for the town that shaped him. Across five decades in Tennessee, his memories of central Florida’s orange groves and the changing waters of Lake Apopka never left his songwriting. That October evening gave Apopka a proud homecoming with its native son, while the specific songs he wrote about Florida’s vanishing natural landscape carry an even older story from his early years.

On August 30, 2003, forty-eight-year-old country singer John Anderson asked his doctors twice to let him leave a West Virginia hospital room so he could make his concert that night. Hours earlier, Anderson had arrived in Charleston to perform at the Sternwheel Regatta festival when sudden, severe chest pains forced an emergency trip to Charleston Area Medical Center. Doctors found a blocked coronary artery and a mild heart attack, then performed an urgent angioplasty and placed a stent to restore blood flow. For more than twenty-five years, Anderson had lived up to his reputation as one of Nashville’s hardest-working road musicians. Hundreds of shows a year since the late 1970s, late-night meals after curtain call, and decades on a tour bus had quietly worn down his body. Even inside the cardiac unit, his instinct was to get back to the stage. Raised in an older country tradition where a singer showed up for working people who had paid hard-earned money for a ticket, he tried twice to talk his doctors into an early discharge. The medical team refused both times. Hundreds of miles away, his wife Jamie Anderson received the emergency call that every touring musician’s family dreads. Alongside their two daughters, she stepped in where the stage could not reach, urging him to put his life ahead of the tour schedule. Anderson canceled the rest of his autumn dates and went home to his farm in Smithville, Tennessee. Slow afternoons walking near Center Hill Lake with his wife and daughters replaced the highway, and Jamie’s steady care helped him change how he lived. That decision to leave the road in 2003 gave the singer who almost walked out of a Charleston hospital room more than two additional decades of music and twenty-three more years at home with his family.

In 1983, right as “Swingin'” turned him into one of country music’s biggest stars, John Anderson married Jamie and bought a quiet farm an hour east of Nashville. Before the gold records arrived, Anderson had worked odd jobs around Tennessee, including nailing shingles onto the roof of the Grand Ole Opry House while playing club sets at night. After his commercial breakthrough, many artists would have moved into the wealthy neighborhoods near Music Row to stay close to label executives and industry parties. Instead, John and Jamie settled in rural Smithville in DeKalb County, near the waters of Center Hill Lake. That hour-long drive out of Nashville became a clear boundary between his career and his home. On the farm, where he spent his days gardening and fishing, he and Jamie raised their two daughters, Alexa Kate and Brionna Cheri, away from the pressure of growing up as celebrity children. Anderson later admitted that staying out in the country cost him industry connections and media opportunities, a price he willingly paid to keep his music honest and his family life normal. For more than forty-three years, that marriage held steady through every turn in the road. Jamie stood beside him when mainstream radio drifted away from his traditional sound in the late 1980s, long before his major comeback with “Seminole Wind” in the early 1990s. Decades later, when a severe illness in 2017 and 2018 damaged his inner ear and threatened his ability to hear pitch, Jamie and their daughters helped him find the peace that shaped his 2020 album, Years. Anderson always felt the best thing his records ever bought was not a wall of trophies, but the piece of Tennessee land that kept Jamie and his girls safe from the noise, right up until he passed away at his Smithville home on October 21, 2026, at age 71.

On October 18, 1983, when twenty-eight-year-old John Anderson married Jamie Atkinson at his home in Smithville, Tennessee, he welcomed both Jamie and her young daughter, Brionna-Cheri, into his life as his own family right at the height of his music career. Before that autumn wedding, both John and Jamie had lived through past relationship heartbreaks, with Anderson having walked through two broken marriages of his own. Rather than viewing a ready-made family as a complication during his busiest touring years, Anderson embraced fatherhood on his quiet acreage in DeKalb County. When he and Jamie later welcomed their daughter Alexa Kate, he raised both girls on the Smithville farm without ever drawing a line between stepchild and biological child. Across forty-three years of marriage, Anderson never referred to Brionna-Cheri as a stepdaughter. He skipped the Nashville social scene to drive straight home after tour dates, teaching both girls to fish on Center Hill Lake and giving them the same steady presence at home so Brionna-Cheri and Alexa Kate grew up as close sisters. As the girls reached adulthood and started families of their own, the Smithville farm filled with grandchildren who knew the country music star simply as their devoted grandfather. When Anderson was inducted into the Country Music Hall of Fame at the Medallion Ceremony in October 2024, Jamie, both daughters, and the grandchildren sat together in the front row, crying tears of pride as he thanked them from the stage. When John Anderson passed away at age 71 on October 21, 2026, Jamie, Brionna-Cheri, and Alexa Kate stood together to call him the heart of their family, honoring a father whose forty-three years of quiet devotion bound three generations together.

In 1983, right as his records were climbing the national charts, John Anderson married Jamie and moved an hour east of Nashville to a quiet farm in Smithville, Tennessee. Years earlier, Anderson had worked on the roof of the Grand Ole Opry house while trying to break into country music. Once success arrived, he and Jamie passed on the mansions and industry parties of Music Row. They settled near Center Hill Lake in DeKalb County, trading business connections for trees, open water, and uninterrupted family dinners. At that rural property, they raised their two daughters, Lexi and Brianna, far from the pressures of the entertainment business. Between long stretches on the tour bus, Anderson returned home to fish on the lake and work his land. Jamie stayed out of the media spotlight while holding their home together for more than four decades. When major labels turned away from Anderson’s traditional sound in the late 1980s, that quiet life in Smithville kept him grounded until his commercial comeback in the early 1990s. Their marriage faced a different test in the late 2010s. Severe health issues and inner-ear problems left Anderson struggling to hear his own voice, pushing him to the edge of retirement between 2017 and 2020. Sitting on the porch in Smithville, he leaned on prayer and long conversations with Jamie as he slowly regained his strength. Living an hour outside the industry cost Anderson some commercial opportunities, while giving him a forty-year marriage and a home that never changed with the charts. How those quiet mornings of recovery in Smithville eventually led him into a studio with Dan Auerbach for one of his most reflective albums is a deeper chapter of his later years.

Before John Anderson married Jamie Atkinson at age twenty-eight and spent the next forty-three years beside her, he had already lived through nearly a decade of hard labor in Nashville and two broken marriages that shaped his earliest country records. After leaving Apopka, Florida, in the early 1970s to chase a music career in Tennessee, Anderson spent years unknown to the public, working construction and roofing jobs by day, including laying roof work on the new Grand Ole Opry House, before playing smoky honky-tonks for small paychecks at night. Even after signing with Warner Bros. Records in 1977, the grueling road schedule, tight money, and constant uncertainty of trying to break through took a heavy toll on his personal life, ending two brief early marriages before he turned twenty-eight. Music critics in the early 1980s often marveled at how a singer in his mid-twenties could deliver heartbreak ballads with the weathered ache of a much older man. That catch in his voice came directly from walking out of divorce court twice in his youth, a loneliness he poured into early stone-country hits like 1980’s “She Just Started Liking Cheatin’ Songs,” 1981’s “I’m Just an Old Chunk of Coal,” and his first number-one record, “Wild and Blue,” in 1982. By 1983, when “Swingin'” brought sudden wealth and attention, Anderson could have easily embraced a bachelor life on the road. Instead, having learned how quickly the Nashville grind could tear a home apart, he married Jamie Atkinson on October 18, 1983, and moved more than an hour outside the city to a quiet farm in Smithville, Tennessee. Leaving the honky-tonk lifestyle behind for rural DeKalb County, the singer who once couldn’t hold a young marriage together raised two daughters, Brianna and Tasha, and stayed faithfully beside Jamie for forty-three years until his passing on October 21, 2026.

On October 18, 1983, in the very year “Swingin'” turned twenty-eight-year-old John Anderson into the biggest star in country music, he passed up Nashville’s luxury venues to marry Jamie Atkinson at his quiet home in Smithville, Tennessee. Seven months earlier, in March 1983, “Swingin'” had climbed to number one on the Billboard Country chart, selling over a million copies for a Gold certification, winning the CMA Single of the Year award, and setting a record as the best-selling country single in Warner Bros. Records history up to that time. Yet Anderson never forgot how he first arrived in Tennessee from Florida in the early 1970s, working day jobs as a roofer on top of the Grand Ole Opry House while it was still under construction just to make ends meet. When sudden wealth and sold-out tours arrived at age twenty-eight, John and Jamie chose to build their permanent home more than sixty miles outside Nashville in rural DeKalb County, near Center Hill Lake. Jamie cared nothing for the celebrity spotlight, sharing her husband’s love for open yards, timberland, and quiet water. By settling in Smithville right as his career exploded, Anderson protected his family from the press and gave himself a normal life to return to whenever he stepped off the tour bus. Over the next four decades, they raised their two daughters, Brianna and Tasha, on that same property without a trace of industry scandal. The Smithville home where John Anderson stood beside Jamie to take his wedding vows in October 1983 remained his anchor for forty-three years, becoming the exact place where they marked their final anniversary on October 18, 2026, three days before he passed away at home.